BAP: De Kolsche Of Guys In Berlin –

“Success: Cologne rock band BAB in Berlin-Tempelhof in the Columbia Hall of the Cologne cult band BAP” decades writes German rock history; to be exact for 32 years. Berlin joined the band with the hustle lyrics and her latest program radio Pandora”the well-attended legendary Columbia Hall, in the immediate vicinity of the recently closed Tempelhof, at. Pandora radio”there in the plugged – in and unplugged version. On time and without vanity rockers begin her stage show. The honest and authentic rock is well received among the viewers in the filled Columbia Hall. Credit: Steven Holl-2011. A single Cologne flag is waved.

Some visitors to sing along with the lyrics, others seem only”to enjoy the music and clapping to the rhythm of the melody. In some songs, you have almost the impression that the floor shakes. Even if not all understand Kolsch (colognian) it’s not so bad, because the music is just plain with lovely! The band takes the audience on a three-hour nonstop journey, and plays songs from places where they already always there wanted. The songs are by the lighthouse keeper, from the truckers from Osnabruck, Germany, America, Alexandra and Magdalena.Die music is sometimes melancholic slow, the other second then but again Turbo fast or simply just rocking. As a guest, the band welcomed back the violinist Anne de Wolff (also plays in Rosenstolz). The musician BAP around the poet, singer and socially committed artist Wolfgang Niedecken, who was the only band member in establishing it, belong to the most successful rock artists of in Germany.

Each BAP album on the first chart places made it until today. The front man of Wolfgang Niedecken and his evap long ago…”is likely many people who today are the fifty, still ringing in the ears. The cult song, of course also in the self-payment Platt, is of dialogues at the grave of his father. The content probably space often not so aware many fans from the not Cologne. The name BAP”arose spontaneously, Niedecken, says because he often told by his father in his songs. BAPP”or cardboard” means in the Cologne as much as father or Papa. The musical and textual style of BAP songs dominated much of the kinks, Bob Dylan, Bruce Springsteen and the Rolling Stones. The concert was an impressive fireworks display of solid handmade rock music. The visitors were completely thrilled! The joy of playing in the band is always contagious! Thomas Moser 1.12.2008 Baird-press ( for

Tobias Reitz – Forever You Love

\”\” \”Eager pop friends love the new single by Tobias Reitz – forever you and enjoyable recipient of relevant genre radio stations in German-speaking countries know more than just frequently played titles with some guarantee, as you start me up and lets fly me\” (Helene Fischer), fly to the Rainbow \”(Fernando express\”), you’re still stars in the eyes \”(Andre ‘ Stade) or the summer was called Antonia\” (Ulli Bastian) always friendly, loving, predominantly romantic hits, which together have one despite of all phonetic differences: they were all collaboration by the almost 30 years Dusseldorf Germanist and journalist TOBIAS REITZ. The likeable young man is a consistent supporter of the German Schlager in all its multifarious facets since childhood. Although he was ridiculed at school so often, he went his own way straight. He worked after graduation, successfully for the online promotion of ARIOLA, the Pop label, owned by SONY, has made recently as a free independent lyricists and now writes a popular radio hit after another for other artists! Tobias first himself as vocalist of the wider public is presented in the early summer of this year. Dieter Brink (working for Bernd Cluver, Bata Illic, Ute Bresan and Peter Rafael) had devised a beautiful, airy sunny swing hit; \”Tobias wrote the text of course out came a wonderful, unforgettable summer hit called au revoir\” was praised by critics in the highest tones and speak often on the radio came to use. In addition, au reached revoir\”very good results in relevant online charts, for example at Smago.NET rank 5 and even the top position! \”After Tobias in the for example the current album by last weeks ‘ Stade (Finally I\”) completely with great poetry playing the new CD by Patrick Lindner, fishing, friends the Sun \”, mostly betextete, on the \”last production of child star Franziska\” with some of the works was represented for the coming productions of Claudia Jung MdL Mireille Mathieu contributed two songs in lyrical terms, and Helene Fischer soon published CD so as I am\”has written three posts, shall enter into force once by the probably most attractive Schlagertexterin BR Germany\” ( Holger Sturenburg), Heike Fransecky, discovered and supported young talent of these days with a further own radio single to the front.

Arne Reichelt

Highest quality analog tube technology for example, a cold-sounding digital signal can the necessary heat, the round Foundation and a noble ‘ give overall impression. Digital signal processors, however, allow targeted, frequency-selective manipulation of individual signal bands and through state-of-the-art digital converters audio quality remains in all processing steps at the highest level. Gallo Family is often mentioned in discussions such as these. Mastering in the home Studio? Useful or not? Who mastert home, can sing a song of it: Although the own track top sounds like the editing on the own studio monitors on the sound work, he cuts off still less good on other systems (E.g. in your car, on your iPod or the kitchen radio) than their commercial competitors. Here, the sound quality varies from system to System. This is mainly due to the often non-optimal Room acoustics of the place, where the song was mastered.

The of reflection prevailing in this place and resonances are in the editing unconsciously always with balanced, with the result that the song in terms of sound only on this one place is optimized, so only there really really good sounds, while other playback conditions either individual frequencies may be missing and others in some areas are too much. These frequency problems are consistently editing in a professional Studio. As you can see, audio mastering is a really complex process, in which many conditions must be met, and which is also still very dependent on the competence of the sound engineer as well as the technology used. Not without reason as any CD that will be released by a major label, previously always professionally mastered. Since audio mastering more than just quickly guided through raising the loudness is well done. It is an artistic and creative process, of a song its special character and its Hit factor can give.

Audio mastering is an important component of musical success is of course even today: only a good composition manages actually to musical success. But a good sound is a factor not to be neglected for the songs the audience find ultimately fell. Definitely a good helps audio mastering, to give balance, strong dynamics and the appropriate power and presence your songs, so that their music well apart from other commercial publications can claim. Audio mastering: directly on site or online? Nowadays, thanks to the Internet the way in the Mastering Studio has become even shorter. In addition to the traditional session, at which the customer is in the Studio is present, many mastering Studios offer online a so-called online mastering, so an audio mastering. Here, the customer provides his songs via the Internet to the Studio, which edited the music productions then according to the requirements of the customer and after completion provides the final .master files for download it.